If you read my previous post you will begin to understand that the connections that I have and that are made to those friends and relatives of my subject are crucial to infusing life into the sculpture.
If there is anything that can make this sculpture "sing," pun intended, it is getting to know and hearing the stories of Norma. That is where you as the reader come in. You know Norma, you have experiences with Norma, share, tell, teach me who she is, and slowly I begin to feel and see Norma. Then I see it happen over and over again, that passion is transferred to the clay and in the end... to the viewer.
Playing her guitar under the street light. I can't wait to get started. I love the inspiration of the family. |
Plans were made to go to the proposed site and take some photo reference of Angie, Norma's daughter posing as Norma in Norma's clothes. Somehow that got lost in the translation of the day, and instead the entire family Norma's brothers Ernie, Bobby and Javier, long with his wife Gloria, Norma's son Miles and his girl friend jackie and Norma's Daughter Angie and her boyfriend Chris all met at the place where the sculpture will one day reside. Even Norma's mom Elsa Zenteno came.
Instead of being there for a photo sitting to take reference for the sculpture, the family all shared their thoughts about the placement, pose and outfit that Norma should be wearing. There were a lot of ideas shared, and when thinking about it— they were shared with huge smiles and a great deal of excitement that was infectious. Somehow, I think Norma was probably that way—infectious in her charm, livelihood and presence. One of the brothers mentioned their playing and said something like there is no longer a ... not sure the term he used, but when he said it a flood of pictures came to my mind. What was missing in this family band —the lead singer, the one that got the attention, that sparked the crowd on, flirted with the music and her brothers to bring a crescendo of intensity and involvement from both audience and musicians. I never had the opportunity of knowing Norma. Right now I am sorry I never got to see her live in her element, with her family, creating. I am sure it was something to experience.
We rescheduled the photo sitting for another day. The family has work to do, in that we we need to see the placement of the sculpture at night. This means that the family will have to go and stage the piece to see what it will look like under the lighting that is already there. They will take some photos and send them to me. Then, we did what close families do- we went and ate. I was so thrilled to be invited.
Norma's mom shares a story of Norma when she was little and how she thought she would run faster than someone who road their bike. She tied herself to the bike to prove it and came home all torn up. She smiled, the smile of a mom remembering. I looked at Moma Z and felt her love for her daughter, her strength involved in raising such a large family of boys and one girl- Norma- the oldest. The endearing nature of the entire family toward Norma, and of total strangers that I have been introduced to. Many who meet me and hear about the sculpture project same Norma's name, with that same family sparkle. This... this family, and friends, and love I can feel and inspires my muse. How can I possibly infuse it into the clay, it is more than I have felt in any of my posthumous commissions. OK Norma, I'll need some assistance here.
More to come:
Please contribute and share the news of this project. With your help we can make this happen. For more information about donations please visit the Norma Zenteno Sculpture Page.
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